Welcome to Luma Contemporary Art

The shortest way from viewer to owner

Art advisor based in Rome with more than 25 years of experience in the modern and contemporary art world.
We are happy to lend a helping hand to collectionists who wish to create or expand their art collection.

Mario Schifano

He is considered to be one of the most significant and pre-eminent artists of Italian postmodernism. His work was exhibited in the famous 1962 "New Realists" show at the Sidney Janis Gallery with other young Pop art and Nouveau réalisme innovators, including Andy Warhol and Roy Lichtenstein.

Mario Schifano,Futurismo e futuristi
Mario Schifano, Futurismo e futuristi, cm 70 x 90, 1975, enamel on canvas
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Mario Schifano,Senza titolo, Cavallo
Mario Schifano, Senza titolo, cm 100 x 100, late '70s, oil and enamel on canvas
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Mario Schifano, Esterno senza scultura uno, cm 110 x 210, 1984, enamel and acrylic on canvas, painted frame
Mario Schifano,Facciate
Mario Schifano, Facciate, cm 100 x 200, 1990, enamel and acrylic on canvas
Mario Schifano, Bicicletta
Mario Schifano, Untitled, cm 100 x 70, 1982, enamel on photographic gel
Mario Schifano, Cavalli
Mario Schifano, Cavalli, cm 100 x 80, 1979-1980, oil on canvas
Mario Schifano, Paesaggio anemico
Mario Schifano, Paesaggio anemico, cm 82 x 100, 1974-78, enamel on canvas
Mario Schifano, SENZA TITOLO
Mario Schifano, Untitled, cm 100 x 100, 1986, enamel and acrylic on canvas


Salvo (Leonforte, Enna, 1947 – Turin, 2015) Salvo (real name Salvatore Mangione) was born in Leonforte, in the province of Enna in 1947. In 1956 he and his family move from Catania to Turin, which will always remain his adoptive city. In the early 1960s he begins painting and supports himself by selling low-priced portraits, landscapes and copies of Rembrandt and Van Gogh. In 1963 he participates in the 121st Esposizione della Società Promotrice delle Belle Arti with a drawing after Leonardo.

Oil on canvas Salvo
Salvo, "Dicembre", cm 49,7 x 71,3 2004, oil on woodboard
Oil on canvas Salvo
Salvo, "Minareto", cm 40 x 25, 1993, oil on raw canvas
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Oil on canvas Salvo
Salvo, "Bosnia Herzegovina", cm 60 x 30, 2006, oil on canvas
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Oil on canvas Salvo
Salvo, "Inverno", cm 40 x 50, 2006, oil on canvas
Oil on woodboard Salvo
Salvo, "Inverno", cm 30 x 40, 2006, oil on woodboard
Oil on canvas Salvo
Salvo, "La valle", cm 60 x 30, 2003, oil on canvas

Piero Pizzi Cannella

Italian artist and painter Piero Pizzi Cannella is best known for his conceptual works. He experimented with Citazionismo anacronista, an artistic movement known for its quoting of art history. After this period of his career he removed himself from the arts scene, before becoming part of the Nuova Scuola Romana (or “New Roman School”). His figurative works gained attention of dealer Fabio Sargenti and he restarted his career, focusing on the abstraction of the human figure in objects such as tables, chairs, clothes, and personal ornaments—all separated and detached from a real context.

Piero Pizzi Cannella, Ombra cinese
Piero Pizzi Cannella, "Ombra cinese", cm 62 x 73, 2008, Oil on canvas
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Boetti Calendario
Alighiero Boetti, "Calendario", cm 30 x 40, 1978, Collage of calendar pages on canvas paper

Alighiero Boetti

Conceptual artist Alighiero e Boetti was associated with the Arte Povera movement. Heavily influenced by his travels to Afghanistan, in his "Mappa" series (1971-92), Boetti directed Afghan craftswomen to embroider maps with geopolitical entities represented by their flags.

Mimmo Rotella

Mimmo Rotella, who represented Italy in the 1964 Venice Biennale, was experimental to his core: in his poetry, paintings, photographs, sculptural assemblages, and collages, he broke down conventions, leaving behind a body of extravagant work. Through his collages, he became associated with Raymond Hains, Jacques Villeglé, and François Dufrêne—together known as Les Affichistes. Rotella was also linked to the French Nouveau Réalistes, for reflecting commodity culture, and its excesses and absurdities, in his art.

Mimmo Rotella, Jungle
Mimmo Rotella, "Jungle", cm 95 x 67, 1999, decollages on canvas

Carla Accardi

Carla Accardi rose to fame as founding member of the 1947 Italian avant-garde movement Forma 1, a group of artists based in Rome who, in the face of Fascism, embraced the principals of Futurism and Marxism. As one of the key figures of abstract art in Italy during the time, Accardi developed an iconic visual lexicon of calligraphic marks that, when combined with her minimalist color palette and dynamic compositions, showcased the endless possibilities of abstraction.

Carla Accardi, Bianco carminio
Carla Accardi, Bianco Carminio, cm 30 x 40, 1997, vinyl on canvas
Carla Accardi, Violetto turchese
Carla Accardi, Violetto turchese, cm 35 x 25, 1970, casein on canvas

Don Eddy

Don Eddy (born 1944) is a contemporary representational painter.He gained recognition in American art around 1970 amid a group of artists that critics and dealers identified as Photorealists or Hyperrealists, based on their work's high degree of verisimilitude and use of photography as a resource material.

Don Eddy, Buick Q.Q.R
Don Eddy, "Buick Q.Q.R", cm 122 x 168, 1971, Oil on canvas
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Wolfgang Tillmanns, Weichnachtsstern
Wolfgang Tillmanns, "Weichnachtsstern", cm 40 x 30, 2000, C-print

Wolfgang Tillmanns

Wolfgang Tillmanns,born 16 August, 1968 is a German photographer. His diverse body of work is distinguished by observation of his surroundings and an ongoing investigation of the photographic medium’s foundations.

Sherrie Levine

Sherrie Levine (born 1947) is an American photographer, painter, and conceptual artist. Some of her work consists of exact photographic reproductions of the work of other photographers such as Walker Evans, Eliot Porter and Edward Weston.

Sherrie Levine- Lead Hexagon 2
Sherrie Levine, "Lead Hexagon: 2", cm 50 x 40, 1988, Casein and lead on panel
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Piero Gilardi polyurethane foam
Piero Gilardi, "Lambis", cm 30 x 30, 2000, Polyurethane foam

Piero Gilardi

Piero Gilardi (born 1942, Turin) is a visual artist. Born in Italy from a Swiss family, he studied at the Liceo Artistico in Turin. In an interview with LeGrace G. Benson, Gilardi stated that his personal encounter with artist Michelangelo Pistoletto and others helped him in the development of his own artwork.

Piero Gilardi polyurethane foam
Francesco Clemente, "Albero della vita", cm 66 x 48, 1989, pastel on paper
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Francesco Clemente

Italian painter Francesco Clemente came to prominence in the mid-1970s with vivid paintings rife with erotic imagery of mutilated body parts, gesturing amorphous figures often depicted in rich colors, as well as a series of contorted self-portraits. Fascinated with Indian art and mysticism, his gouache paintings and pastel drawings are especially noted for their intense and arcane quasi-religious content that has grown increasingly surreal in his later works. Though large in scale, Clemente’s work often conveys an uncanny and unabashed intimacy. Clemente has been compared to such painters as Georg Baselitz and David Salle.

Getulio Alviani

Alviani was born in Udine, where he showed talent for design and geometric drawing from his childhood. He enrolled in the Venice Art School, but soon showed little interest in his studies, spending afternoons in Venice's museums in contemplation of classical masterpieces. He also started doing small jobs for local architects, and helped local artists in inking projects such as etchings.

Getulio Alviani, Superficie vibratile
Getulio Alviani, "Superficie vibratile", cm 36 x 36, 1974, aluminum
Mauro di Silvestre, Un quadro coi fiocchi
Mauro Di Silvestre, "Un quadro coi fiocchi", cm 160 x 220, 2007-2008, oil on canvas
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Mauro Di Silvestre

Mauro Di Silvestre lives and works in Rome. Mauro Di Silvestre was born in Rome in 1968, he studied painting in Los Angeles and Rome. He gets several public awards such as the City of Lissone Prize in 2001 and the Celeste Prize in 2004, winning the 2nd and the dedicated prize respectively to the category of Emerging Painters.

Tano Festa

Tano Festa (Rome, November 2, 1938 - Rome, January 9, 1988) was an Italian artist, painter and photographer. He attended the Art Institute of Rome and graduated in photography in 1957, he trained on the example of Cy Twombly and gestural and informal painting. His first public participation took place in 1959 together with Franco Angeli and Giuseppe Uncini, in a group exhibition at the La Salita gallery in Rome, where, only in 1961, he held his first personal exhibition. Protagonist of the Roman pop school, he welcomed the new dada solutions with formal rigor, proposing isolated monochrome objects for everyday use. Famous are the shutters, mirrors and windows, which become the support of his activity as a painter.

Tano Festa, Cielo meccanico
Tano Festa, "Cielo meccanico", cm 60 x 50, 1965, enamel on canvas
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Tano Festa, Dalle tombe medicae
Tano Festa, "Dalle tombe medicae", cm 150 x 90, 1978, acrylic on canvas
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Tano Festa, Da Michelangelo
Tano Festa, "Da Michelangelo", cm 150 x 70, 1968, enamel on canvas

Giorgio de Chirico

Giorgio de Chirico,10 July 1888 – 20 November 1978, was an Italian artist and writer born in Greece. In the years before World War I, he founded the scuola metafisica art movement, which profoundly influenced the surrealists. His most well-known works often feature Roman arcades, long shadows, mannequins, trains, and illogical perspective. His imagery reflects his affinity for the philosophy of Arthur Schopenhauer and of Friedrich Nietzsche, and for the mythology of his birthplace.

Giorgio de Chirico, Après-midi d'été
Giorgio de Chirico, "Après-midi d'été", cm 9 x 13, 1940, pencil on paper
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Giorgio de Chirico, Tre gladiatori
Giorgio de Chirico, "Tre gladiatori", cm 80 x 60, 1963, oil on canvas
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Massimo Campigli, Due scalinate
Massimo Campigli, "Due scalinate", cm 66 x 92, 1956, oil on canvas
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Massimo Campigli

Massimo Campigli, born Max Ihlenfeldt, 4 July 1895 – 31 May 1971, was an Italian painter and journalist. He started to paint upon his arrival in Paris, where at the Café du Dôme he consorted with artists including Giorgio de Chirico, Alberto Savinio, Gino Severini and Filippo De Pisis. Extended visits to the Louvre deepened Campigli's interest in ancient Egyptian art, which became a lasting source of his own painting.His early figurative works applied geometrical designs to the human figure, reflecting the influence of Pablo Picasso and Fernand Léger as well as the Purism of "L’Esprit Nouveau".

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